A solo exhibition of functional timber sculptures by South African artist 3

A solo exhibition of functional timber sculptures by South African artist 3

Today, we’re proud to have delivered on our Mission Zero® commitment, in part by becoming the first global flooring manufacturer to sell all products as carbon neutral across their full life Today, we’re proud to have delivered on our Mission Zero® commitment, in part by becoming the first global flooring manufacturer to sell all products as carbon neutral across their full life

Exhibition Selected works

About exhibition

All of our beautiful art prints are made from original watercolour paintings by Polina Bright. The fine art papers and archival inks that we use are absolutely the best in the market: our goal is to achieve amazing results with our prints being as beautiful as the original paintings. We use 100% cotton Fine Art paper with a smooth texture and unique slight grain, reminiscent of the original genuine etching and printmaking papers. Our prints offer great resistance to aging by using natural minerals. All prints do not come framed.

This is a reproduction print of the original “Moraea tulbaghensis” watercolour painting

Of Franco-Beninois heritage, Houndekpinkou grew up in the suburbs of Paris obsessed with video games, anime and Japan. In 2012, after a stint working in the UK in communications, he would take his first trip to the Land of the Rising Sun and be introduced to the language of sculpting and moulding clay. Whatever he was looking for – that compelling search for meaning in the hamster ring of existence – he found it in the sticky, primordial matter

Clay is ancient. Acting like an archive, each individual particle contains a record of geography, biology and the philosophies of time. “Clay has absorbed all the knowledge of the world and from humanity. Each vibration through time. Everything that has happened, each conversation is encapsulated in clay. It’s the ideal source to search for answers for who I am

About exhibition

All of our beautiful art prints are made from original watercolour paintings by Polina Bright. The fine art papers and archival inks that we use are absolutely the best in the market: our goal is to achieve amazing results with our prints being as beautiful as the original paintings. We use 100% cotton Fine Art paper with a smooth texture and unique slight grain, reminiscent of the original genuine etching and printmaking papers. Our prints offer great resistance to aging by using natural minerals. All prints do not come framed.

This is a reproduction print of the original “Moraea tulbaghensis” watercolour painting

Of Franco-Beninois heritage, Houndekpinkou grew up in the suburbs of Paris obsessed with video games, anime and Japan. In 2012, after a stint working in the UK in communications, he would take his first trip to the Land of the Rising Sun and be introduced to the language of sculpting and moulding clay. Whatever he was looking for – that compelling search for meaning in the hamster ring of existence – he found it in the sticky, primordial matter

Clay is ancient. Acting like an archive, each individual particle contains a record of geography, biology and the philosophies of time. “Clay has absorbed all the knowledge of the world and from humanity. Each vibration through time. Everything that has happened, each conversation is encapsulated in clay. It’s the ideal source to search for answers for who I am

Selected works

cat3 T-shirt Konvalia
10 001 £12 901 £

About exhibition

All of our beautiful art prints are made from original watercolour paintings by Polina Bright. The fine art papers and archival inks that we use are absolutely the best in the market: our goal is to achieve amazing results with our prints being as beautiful as the original paintings. We use 100% cotton Fine Art paper with a smooth texture and unique slight grain, reminiscent of the original genuine etching and printmaking papers. Our prints offer great resistance to aging by using natural minerals. All prints do not come framed.

This is a reproduction print of the original “Moraea tulbaghensis” watercolour painting

Of Franco-Beninois heritage, Houndekpinkou grew up in the suburbs of Paris obsessed with video games, anime and Japan. In 2012, after a stint working in the UK in communications, he would take his first trip to the Land of the Rising Sun and be introduced to the language of sculpting and moulding clay. Whatever he was looking for – that compelling search for meaning in the hamster ring of existence – he found it in the sticky, primordial matter

Clay is ancient. Acting like an archive, each individual particle contains a record of geography, biology and the philosophies of time. “Clay has absorbed all the knowledge of the world and from humanity. Each vibration through time. Everything that has happened, each conversation is encapsulated in clay. It’s the ideal source to search for answers for who I am

  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
  • creating aesthetic creating aesthetic
A solo exhibition of functional timber sculptures by South African artist 3
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